Some blundering around on the internet recently led me to read about an extraordinary place known as Colin’s Barn, or The Hobbit House (not to be confused with a self-consciously titled eco-home of the latter name built in Wales). I had to find it, so a small but intrepid band of us sallied forth to track it down. Briefly, it was built between 1989 and 1999 by a stained glass artist called Colin Stokes, on land he owned near his house in Chedglow, Wiltshire. He built it for his sheep. Apparently the council were not best pleased that neither Stokes nor his flock had been through the due planning process, and the stress of the bureaucracy may have contributed to him moving to Scotland. The ‘barn’ remains quietly dilapidating in a field.

There’s plenty more at Derelict Places but with care to keep its location secret. I’m not going to blab either, but suffice it to say (a) that it’s on private land, so tread warily and respectfully (b) despite what commenters at that site and others say, it can be found on Google maps, rather easily if you use your brain and (c) all of the stuff on these forums about rottweilers and security heavies appears to be twaddle. Or perhaps they are otherwise occupied on sunny afternoons. My only hint is to follow the horses and not the cars. (More photos at Flickr.)

Anyway, it’s a beautiful and amazing thing – and maybe the world is a better place for things like this being left dotted around in quiet corners.

Commuting has given me time to read James Attlee’s Isolarion: A Different Oxford Journey. I can’t praise this book highly enough – it’s a psychogeographical meander down Cowley Road, in much the same vein as Iain Sinclair’s explorations in London Orbital and Edge of the Orison, though undertaken in a different way. Attlee adopts the same elegiac tone as the crushing monotony of theme park Britain tries to bulldoze anywhere with real character and vibrancy. He lacks Sinclair’s poetic (or obscurantist) touch, but it’s a very enjoyable read. Attlee approaches his various excursions and incursions along Cowley Road in the spirit of a pilgrimage, and his text is informed and inspired by interesting background reading from, among others, Robert Burton’s Anatomy of Melancholy. The history of the car plants, refugees, the Bartlemas leper hospital, drunks in the graveyard, the famous porn shop, takeaways and council meetings – it’s all in here.

I don’t miss living in London, but sometimes I miss London walks, and exploring its palimpsest of history. This is the first time a book about Oxford has given me the same thrill, and I know there’s much more to explore. It’s interesting that he avoids the sometimes stagnant and certainly overexplored history of central Oxford, and heads eastward. If you’re not sympathetic to this sort of project, Attlee could perhaps come across as a smug art-world type at times, but that would be unjust. This is a fantastic and inspiring book.

On Easter Monday, we set out on a pilgrimage on our own, taking the bus out to Chipping Norton to walk the route of the river Glyme as closely as possible from there down to where it joins the Evenlode at Woodstock. It makes for an idyllic walk – though around 14/15 miles, mind. The Glyme begins as a gentle stream alongside the mediaeval Saltway (got this one in your salt facts, ?) and meanders through some truly peaceful and surprisingly hidden countryside, despite the A44 not being far away. The Saltway, lost mediaeval villages, mills and waterfalls and absurdly pretty hamlets all feature along its course. In its middle life, the Glyme gets pretentions – as well as being dammed into a small lake at Old Chalford, it then runs through no less than three grand estates – Kiddington, Glympton and Blenheim (where, as at Kiddington, it forms an ornamental lake). At Radfordbridge, we passed the beautiful spot where my Mini got stranded the other week, and met some puppies. We were too footsore to see it through Blenheim to Bladon, where it joins the Evenlode, but we did follow it pretty closely all along. Spring is making me joyously happy. (Anyone wanting to see pictures and the route can download a 290K PDF here.)

On Sunday Brighty and I did half of the ‘Kidlington Circular Walk’ – a badly signed, mixed bag of a walk that even Iain Sinclair might baulk at. Lowpoints include negotiating the A34 and associated tributaries, but of course there was much to celebrate, too – most particularly the slightly spooky but impressive Elizabethan/Jacobean pile that is Water Eaton Manor. My subsequent researches reveal that from the late 1920s it was owned by Sir Alexander Carr-Saunders, director of LSE for two decades and a noted eugenicist. His son Nicholas (born at the manor) clearly rebelled however. He died in 1998, having been a pioneer of the wholefood movement (he founded Neal’s Yard). Some gems from his obit in the Independent:

– “He constructed a flat in Edith Grove, west London, so that ducks in the pond outside could swim under a plate-glass window and into his living room”
– “he slept in a papier-mache ‘cave'”
– “The flat became a centre for hippies and anyone with new alternative ideas. These he began to record and the first edition of Altemative London was brought out in 1970… Further editions followed until a friend meditating in front of a candle inadvertently burnt the flat down.”
– at Neal’s Yard “he designed an imaginative rooftop garden and a flat where he slept in a suspended egg and arranged a padded ledge for guests”
– “Nicholas Saunders spent the last years of his life investigating the drug culture and particularly Ecstasy”
(You don’t say?)

Not sure who owns the manor now, but Nicholas’ son Kristoffer runs a nightclub in Denmark. Sir Alex would roll in his Aryan grave.